He is boiled down to the basic concept of “annoying white guy” and looks oddly cartoonish, as though he wandered off the set of Family Guy. An example is of a guy who chats to the protagonist on a train. More than color, the entities within this world are transformed from physical accuracy to more of a surreal representation. I believe the protagonist’s race is supposed to be black, but he is mostly drawn in a blue-grey color. Colors are also not static and may change from panel to panel, which are themselves jaggedly segmented. The colors are all very bright and predominantly made up of orange and blue. The artist takes extreme liberties with the art style, in both coloration and physical form. Second Sunrise is a very unique Halo story. Today, I will be reviewing the fourth story: Second Sunrise Over New Mombasa, by Brett Lewis and Jean “Moebius” Giraud. If you’ve missed the previous articles, you can find them here, here, and here. Well, Halopedians, here I am with the fourth article in my series reviewing the Halo Graphic Novel.
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